Format Comparison
|
35mm Film |
HD Video |
Red One |
| 35mm-format shallow depth of field |
• |
only with adaptor* |
• |
| HD on-set monitoring |
|
• |
• |
| Use PL-mount cine lenses |
• |
only with adaptor* |
• |
| Extensive metering tools on-camera |
|
|
• |
| Long continuous takes |
|
• |
• |
| Record direct to editable digital files |
|
some systems |
• |
| Raw sensor data recording |
N/A |
|
• |
| Capture resoltuion |
varies by stock |
1920×1080
or less |
4096×2304 |
*35mm-format adaptors for HD cameras result in loss of light and resolution. The Red One avoids this loss of quality.
|
Ultra-HD Resolution
The RED ONE shoots at resolutions of up to 4096x2304. That's over four times as many pixels as 1080p high-definition video, and nearly 27 times the resolution of standard definition DVDs or DV camcorders.
Features
- 12 megapixel Super35-sized sensor.
- Use PL-mount motion picture lenses without an adaptor.
- Process footage down to virtually any HD or SD format with pristine quality.
- True 24p. Up to 120 frames/sec in HD. Speed ramping and timelapse support.
- Records raw sensor data; ideal for color grading or compositing.
- Fully tapeless workflow with recording to drives or cards.
- Uses advanced 12-bit compressed recording format to maintain manageable file sizes.
|
